And how architect’s style affects the form of this building. , By visiting this website, certain cookies have already been set, which you may delete and block. It looks like a painting rather than a garden. Completed in 2006 in Suzhou, China. As can be seen that architect took the cultural elements from the old local buildings then put them into a modern style.Figure 3.3.1 Suzhou Museum Roof Compare to Traditional Suzhou ArchitectureSuzhou city had always been called city of garden, which has many famous gardens attracting people from everywhere. And see how it affects this building. Due to that reason, local government considered to build an unparalleled museum for showing these precious treasures to people from all over the world.

Over 100,000 pieces - not all on display - easily fill the four stories of this modern gallery, carefully curated by a team led by American owner Mitch … The design of the museum takes its cues from the rich vocabulary of Suzhou… Slideshare uses cookies to improve functionality and performance, and to provide you with relevant advertising. The height of main buildings is lower than 6m, and the central hall and west exhibition area have two floors and its high 16m.

The total exhibition area is 3,600 square meters and houses some 1,160 cultural relics, spanning from prehistoric times to recent years.I.M. However, for almost every Chinese, Jiangnan Area is always the best place that dream to travel, which has a rich and magnificent history and as a significant part located in Southeast China. The design of this new museum visually complements the traditional architecture of ZhongWangFu. This called "Designed for China" Museum conveyed a good architectural style combination between Chinese historic and contemporary fashion.As a modernism master in architectural world, I. M. Pei has always been doing innovative works. In addition, since the Song Dynasty (960-1279), Old Suzhou has also been an important centre for China's silk industry.

Referential without explicitly copying precedent, respectful of its surrounding constraints, the complex nevertheless breaks no new ground. He likes to walk a way between tradition and modern world. In October 2006, A new museum designed by world famous architect I.M.Pei was completed which covering over 10700 square meter and located at the cross of Dongbei Street and Qimen Road. This article takes Suzhou Museum as a case to analyze various aspects of its narrative constitution, narrative time, and narrative voice. Although this museum is a modern style building, it bridges traditional Chinese architectural design with modern concepts.According to Pei's original design concept of "Chinese style with innovation; Suzhou style with creativity"; and the idea of "not too high, not too large and not too abrupt," the museum has adopted the typical architecture style in Suzhou -- the whitewashed plaster walls and the dark gray clay tiles. Slideshare uses cookies to improve functionality and performance, and to provide you with relevant advertising. Every region has its traditional style, but modern belongs to the whole world. The effect is crisp, articulated, and decidedly modern.The Suzhou Museum represents Pei’s highly personal essay on building in strong context in this cradle of Chinese culture. For any architect concerned with contextual design, Suzhou presents a formidable challenge. Thousands of various precious cultural relics belong to this city needed to exhibit to people and tourists. Although the question is tough to answer, some architects still have been trying to challenge and looking for a solution.Recently, in Suzhou China, a new Museum was built near Humble Administrator Garden which is one of World Cultural Heritage Sites in Suzhou. However, in some cities, they do not have an outstanding or appropriate one to be as a museum, and the same, they really need one for reasons. The professtional essay writer are having more knowledege about the writing papers. By closing this message or continuing to use our site, you agree to the use of cookies.